With a distant shishechka it is repeated the same manipulations, as with left, except that it in other situation in space. Here we plan a branch on which it keeps also "tail" from which disperse at first small a tung tree, then is larger to a distance.
We work with a soft pencil now.
Branch. Bark on it rough, we show it small-small thin shtrishka, increasing their concentration on the shaded places.
Right cone. Actually same, as well as left, and same work. Therefore here I will lay out simply stages. Well, if only one difference: existence of couple of needles in the foreground from it, it is necessary to be simply accurate here, without coming on them when shading. And then after the cone will be ready, to lead round needles on all length (jeweler correction) and to shade, then by the ends is firm - a soft pencil.
The remained needles. Same work, same special effects.
How without nutlets?!! We put at first contours and then we shade at first firmly - a soft pencil, then we add soft on the most dark areas, on 2 most distant nutlets, and in a skorlupka. A kernel and the neighbor is left light, and we do not shade a patch of light on a kernel at all.
Work with a background. The background for such work as this, focusing attention on separate object, should not suppress such object, and opposite, to allocate it. I did not begin to do a background everywhere, only below. Our purpose - to put shishechka in the forefront.
By means of TM of a pencil we put with long strokes primary background. I for this purpose specially grind off a slate pencil on a separate leaf at an angle of 30 degrees to a surface until it takes a form of "a flat rake", and already I put to them.
Then by means of paper cone-shaped shading we start softening at first on length of strokes, then circles.
Let's add soft transition. The elastic band which this time is not cut off fragmentary we remove graphite, chaotically soprikasy with a surface.
Drawing is almost finished, it was necessary only to add an ornament, a frame and the signature.
And here and there to correct hvoinka since at a cedar they in the basis are brought together on 5 pieces.
Only in the middle where shishechka meet together, literally couple of strokes.
