I use pencils with the hardness of 2T, TM, 2M, 5M.
First of all I do a sketch by a pencil 2T. I try to designate all borders of transition of tones. After that slightly I clean a sketch an eraser that lines were not too bright.
I begin shading with eyes. It is convenient to that, first, work comes to life, secondly, there are here most dark areas from which it is possible to make a start in further work.
Pencil 2T I designate the direction of wool round an eye and on a forehead.
I start shading wool, since the most dark place – an eyebrow speck. I do strokes short to show short hair of a dog.
Similarly I study wool round the second eye.
I shade an ear. It more dark tone that allows to work on a forehead more precisely. Strokes I do the short. That there was no sharp border between a dog and a background, add the small sticking-out hairs. At study of wrinkles the main thing to make them volume. Besides dark border it is necessary to designate also light and shade.
I start working on the second ear. I begin with the most dark sites. I do not forget the wool locks which are looking out from abroad the stopped ear.
I study an internal surface of an ear. At first 2T evenly I shade with a pencil all area, trying that separate strokes were not allocated (but it is impossible to pound a pencil!). Then I take TM and I start darkening and tracing details. Also I try that strokes were not too noticeable. I darken 2M and 5M a temple and a forehead.
I study a nose. At first hardly considerably I designate the most dark areas, then softer pencils roundabouts and points I do shadows by deeper. I am guided at blackout by nostrils which I initially shaded 5M. Very short strokes, observing the direction of wool, I draw strands of wood on a nose back.
I study a muzzle. At first evenly I put strokes of average tone. Then I begin deepening of shadows with the most black site.
Work with language is similar to work with an ear. Evenly I shade, hiding separate strokes, then I put shadows. I clear patches of light a sharp tip of an eraser.
Similarly I study a mouth. At a dog mouth there are a lot of details, especially at this breed. I work from the most dark areas.
I shade the lower jaw.
I draw wrinkles on a neck. It is very important to show their volume. For this purpose it is necessary to observe the direction of wool (wool settles down on an arch, but on different sites it is curved differently) and the movement from a shadow to light.
I Doshtrikhovyvat a neck. Work is ready.
Author: Azany (Ekaterina Yermolaeva), very talented artist, her site (source) of azany.ucoz.ru
Full or partial copying and placement on other resources only with the written permission of the author!